After Years of Google AdSense Rejections, I Finally Got My Website Monetised by Monetag

@necroliciouseng

In contrast to my years-long Google Adsense & social media account monetisation hardships, Monetag approved my site for monetisation within a day & it began generating revenue immediately. #monetisation #blog #webdesign #socialmedia #creatorsearchinsights

♬ Money – Pink Floyd

A year ago, Google AdSense rejected me yet again for not meeting their “Minimum content requirements” & “thin content.” Having well over 600 posts now, I applied again at the end of March 2026. After nearly a month-long review, their response was the same:

Rejection message from Google Adsense

This is not an isolated setback. Among content creators of all types, similar frustrations with AdSense denials & concurrently a trend of declining X monetisation has become widespread. In this analysis, I’ll draw on first-hand experience running a niche site to compare the platforms, examine the earnings reality with quality US traffic, & offer practical strategies, including blog monetisation through Monetag, which approved my site within A DAY.

How Monetag Approved Quickly & What Sets It Apart

In contrast to my years-long Google Adsense hardships, Monetag approved my site within a day & it began generating revenue immediately. The platform accommodates a broader range of publisher sites, focusing on traffic quality & basic compliance rather than exhaustive content audits. Ad formats including SmartLink, popunders & onclick placements perform particularly well for niche audiences drawn to dark & immersive themes.

As someone who has tested multiple networks, I observed that Monetag’s approval process respects the unique character of sites. It does not penalise experimental or atmospheric content that might appear thin to Google’s algorithms. Earnings derive from real impressions, with stronger revenue performance from US, UK & EU traffic sources.

Monetag vs X Monetisation: A Realistic Earnings Comparison

Unfortunately, X demonetisation continues to trend as a point of creator dissatisfaction, with reports of reduced payouts, total demonetisation on top of already high qualification thresholds that keep most people barred from the outset. Many, like me, quit seeing X as a potential source of income when X began requiring government issued I.D.s be sent to shady IDF tied Au10tix “for verification”. Besides that, the X Ads Revenue Sharing programme typically requires at least 5 million organic impressions in the prior three months, alongside X Premium status & follower minimums. Even then, effective rates remain modest, often just $8 to $12 per million verified impressions.

Monetag delivers markedly different results for comparable effort, especially with quality US traffic. The table below assumes high-quality US sources & optimised ad placements such as SmartLink, based on aggregated publisher reports & case studies from 2026.

ImpressionsX Monetisation (approx. payout)Monetag Website (realistic range, US-heavy)Monetag Notes / Potential Upside
1 million$8 – $12$150 – $500+Strong with SmartLink or onclick; top cases exceed $4–$20 CPM
5 million$40 – $60$750 – $2,500+Matches or exceeds the $1,000 estimate for optimised US traffic
10 million$80 – $120$1,500 – $5,000+Scales efficiently; no strict impression thresholds required
Monthly exampleOften low or inconsistent$500 – $5,000+ depending on volumeMonetises 100% of traffic with flexible formats

This comparison illustrates why many creators in gaming & anime circles are shifting focus. Five million impressions that might yield minimal returns on X can generate substantial income through Monetag when directed to a well-placed website. The difference arises from Monetag’s direct ad marketplace & lack of heavy qualification gates.

Practical Takeaways for Content Creators

Improving site quality remains worthwhile, whether pursuing eventual AdSense approval or maximising Monetag performance. Consider these steps, refined through my own iterations on necrolicious.com:

  1. Audit & expand 20 to 40 core articles to 1,200–2,000 words, incorporating original analysis, historical context & user-focused elements such as FAQs or comparison tables.
  2. Enhance user experience with clear navigation, internal links between related posts.
  3. Incorporate high-quality visuals: custom graphics that complement the aesthetics without slowing load times.
  4. Monitor traffic sources via analytics & prioritise US-heavy audiences for higher RPMs across networks.
  5. Test Monetag formats iteratively, starting with SmartLink for social referrals from X, etc.

Why This Matters for Modern Creators

Digital platforms increasingly challenge the economic sustainability of people’s passions. Monetag provides an accessible bridge, allowing sites like my necrolicious.com to continue exploring content ideas without immediate dependence on the most stringent, often gatekeepers with their own agendas, such as Nikita Bier’s documented rabid pro-israel zealotry.

Balanced analysis acknowledges that AdSense, once approved, often commands premium rates & greater prestige. Many publishers ultimately run both networks on separate placements. The key lies in persistent quality improvements alongside diversified income streams.

How to Get Started

To start earning money with Monetag on your own website, first you need your own website & hosting. If you don’t yet have one, you can get started with Hostinger for as little as just $2.39/mo. If you act fast, you can get your custom website included for FREE for the first year.

FAQ

Can I run Monetag & AdSense simultaneously?
Yes, many publishers do so successfully by placing ads in non-overlapping areas, provided both programmes’ policies are followed.

How quickly does Monetag pay out?
Payments typically process monthly once minimum thresholds are met, with faster approval for new sites compared to AdSense. Full transparency: I only got approved at the beginning of the month & have only realistically had a couple of weeks of experience, but so far so good. I am not yet at the payment threshold but will report back if I have any issues.

Does traffic from non-US regions affect earnings significantly?
Yes. US, UK & EU traffic yields the highest RPMs; lower-tier regions like Africa, India, South America, etc. reduce overall performance, making audience targeting essential.

In closing, I’m not here to say that Monetag is the best or only monetisation option, but it is my first success in getting income by doing what I love–blogging. I will therefore continue to use it until a better option appears–whether that is a separate ad platform that I don’t currently qualify for or an entirely new ad platform altogether. At that point, I will assess the possibility of continuing to run Monetag alongside it or switching platforms entirely. As always, I will keep you informed of my progress, including any hurdles, I encounter along the way.

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アイドルの鈴木Mob.が『ストリートファイター6』に参戦——ファイターではなく「歌い手」として

@necroliciousjp

アイドルの@mmgjp_mobが『ストリートファイター6』に参戦——ファイターではなく「歌い手」として #スト6 #streetfighter6 #鈴木mob #アイドル #creatorsearchinsights

♬ オリジナル楽曲 – Necrolicious JP🇯🇵 – Necrolicious JP🇯🇵

日本のアイドル文化 & 対戦型格闘ゲームの世界が交差する新たな展開として、マルチな才能を発揮する鈴木Mob.(愛称:もぶぴ)が、『ストリートファイター6』のサウンドトラックに歌唱で参加することが正式に発表された。楽曲タイトルは「潜在的宇宙規模美少女」。今後DLCとしてリリース予定の象徴的なキャラクター、イングリッドの公式テーマソングとして起用される。

鈴木Mob.とは何者か?

今回のコラボレーションの重みを理解するには、鈴木Mob.という人物の類稀なる軌跡を辿る必要がある。かつてアイドルグループ「にっぽんワチャチャ」の中心メンバーとして活動した彼女は、2025年3月31日、日本武道館での公演というアーティストとしての大きな目標を達成した。グループ卒業後、彼女は即座に「煌めき☆アンフォレント」への加入を発表。トップクラスのアイドルとしての地位を維持しながら、自身のビジネス帝国をさらに拡大させている。

ステージの外で彼女は、制作 & コンサルティング会社である有限会社MMG JAPANの代表取締役を務めている。この「ハイブリッド型」のマネジメント形態により、今回のカプコンとのパートナーシップのように、自身の情熱や関心に合致したプロジェクトを自らプロデュースすることが可能となっている。このビジネスの主軸を担うのが、東京・新高円寺に位置するコンセプトカフェ**「喫茶めでる」**だ。ここは単なる飲食店にとどまらず、ファンコミュニティの拠点として機能している。伝統的なビジネスモデルとデジタルな発信力を融合させることで、彼女はステージの枠を遥かに超えた起業家としての信頼を確立したのである。

バトルハブからレコーディングスタジオへ

楽天で購入

鈴木Mob.と『ストリートファイター』シリーズの関わりは、決して突発的なものではない。彼女は長年にわたり主要なゲームイベントに登壇し、アイドル界と格闘ゲームコミュニティ(FGC)の架け橋となってきた。その実績は多岐にわたる:

  • 大会MC・実況: 『ストリートファイター6』のコミュニティ大会において、MCや実況として頻繁に登壇。フレームデータやキャラクター性能に関する深い知識に基づいた解説は、コミュニティからも高い評価を得ている。
  • 東京ゲームショウ(TGS): カプコンブースの常連ゲストとして、発売当初からステージプレゼンテーションやライブエキシビションマッチに出演し、作品のプロモーションに大きく貢献してきた。
  • Capcom Cup & SFL: 「Capcom Cup 11」や「Street Fighter League (SFL) Pro-JP グランドファイナル」といった最高峰の舞台にも姿を見せ、その存在感を確固たるものにしている。

新曲「潜在的宇宙規模美少女」は、今後のアップデート(本稿執筆時点では2026年5月28日を予定)を通じてゲーム内に実装される。プレイヤーはバトルハブの探索中や戦闘中に、彼女の歌声を楽しむことができるようになる。

ゲーム外で「潜在的宇宙規模美少女」を聴くには

本楽曲は、主要な音楽配信プラットフォームでのリリース & 『ストリートファイター6』ゲーム内のミュージックプレイヤーへの実装が予定されている。鈴木Mob.がその活動の幅を広げ続ける中、「潜在的宇宙規模美少女」は、現代の日本メディアにおける「セルフプロデュースの旗手」としての彼女の影響力を象徴する一曲となるだろう。

NECROLICIOUS「ヤバイヒト」面白い吸血鬼の牙タトゥーミームTシャツ
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特に記載がない限り、上の画像アセットはオリジナルのコンテンツではなく、著作権や所有権を主張せずに公正使用の教義に基づいて共有されています。クレジットや削除に関する問い合わせは、necrolicious@necrolicious.comまでご連絡ください。

この投稿のスポンサーは。。。俺!サポートいただける方は、俺のオリジナルミームグッズをSUZURIでお買い求めいただくか、アフィリエイトリンクをチェックして他の素敵なアイテムをご覧ください。上記の記事には追加の関連リンクが含まれる場合があります。関連リンクをクリックして登録や購入を行うと、コミッションを獲得する場合があります。これはあなたが製品やサービスに対して支払う価格を上げませんので、あなたに費用がかからずこのウェブサイトをサポートするのに役立ちます。

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DJI Mic Mini 2 Leaks a Week Ahead of April 28 Event

DJI’s “More Than Sound” teaser has captured the attention of content creators & audio enthusiasts since its release on 14 April 2026. The abstract animation featuring swirling petal-like shapes in a rainbow palette strongly suggested a fresh wireless microphone system with vibrant design elements. Just days later, a full week ahead of the official event, concrete leaks have clarified the product identity: the DJI Mic Mini 2, complete with official interchangeable magnetic faceplates in multiple colours.

From Teaser Speculation to FCC Confirmation

The initial online promotion had me weighing two main possibilities. I had wondered whether DJI would simply release a range of coloured silicone skins for the existing Mic Mini, noting that third-party options already existed in abundance. However, drawing parallels with Rode’s strategy of offering standard microphones in permanent colour variants, I equally anticipated new hardware in several hues. The colourful butterfly motif in the teaser video fuelled the latter view, but no official product imagery appeared at the time.

Regulatory filings provided the first solid evidence. FCC database entries for model DMMT02 explicitly referenced the DJI Mic Mini 2 & tied it to the April 28 launch window. A related mid-tier variant, the Mic Mini 2S (DMMT03), also surfaced briefly before its US certification was withdrawn. These documents aligned perfectly with community expectations of a compact, budget-friendly successor to the original Mic Mini rather than a flagship Mic 3 refresh. As with DJI’s other most recent launches, it remains unclear whether this new mic set will be available for purchase in the US or not.

YouTube Unboxings Reveal the Full Picture

Within the past few hours, independent creators have shared early hands-on footage that removes all doubt. Videos titled “DJI Mic Mini 2 Unboxing Kit & Hands-On Review” from Kingmi Mobile & “Meet DJI Mic Mini 2” from CJ Aerial showcase the black charging case alongside a dedicated white accessory tray holding seven vibrant magnetic pieces: hot pink, orange, yellow, green, cyan, blue & purple. These are not third-party silicone skins or permanent coloured bodies. Instead, they form part of DJI’s official ten-piece magnetic faceplate system, allowing users to swap covers instantly to match outfits or filming environments.

The unboxings confirm the DJI Mic Mini 2 retains the ultralight form factor of its predecessor while adding practical upgrades such as Vocal Tone presets for instant EQ adjustments, enhanced battery life & flexible USB-C receiver options. Pricing appears competitive, with multi-transmitter kits positioned accessibly for vloggers & mobile creators.

The Hong Kong Product Page Ghost Data

One particularly curious element of the rollout occurred when I asked X’s AI, Grok, for further details on this. It specifically mentioned a leak/early launch from the official Hong Kong DJI website. However, when I asked for a link to review the page myself, it could find evidence of no such page. It is not clear if Grok entirely hallucinated the existence of the early on. Leak on the official DJI website or if it actually happened, but was subsequently cleaned up. Either way, no Hong Kong or any other region of DJI’s website currently displays the Mic Mini 2 as of this writing.

What to Expect from the Global Launch

With the dedicated “More Than Sound” event still set for 28 April 2026 at 8 AM EDT, the early Hong Kong availability offers enthusiasts a head start on reviewing configurations & colour options. DJI has historically used regional stores to test demand before wider rollouts, so the current listing provides a reliable preview of global pricing & bundles.

Whether the focus is on the magnetic customisation system, improved audio features or the accessible price point, the DJI Mic Mini 2 looks set to expand DJI’s creator audio ecosystem in a practical & visually distinctive manner. As more details emerge closer to the official event, the combination of confirmed hardware innovations & regional early access ensures this launch will appeal to both existing Mic series users & newcomers seeking versatile wireless audio solutions.

Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership.
Contact necrolicious@necrolicious.com for credit or removal.

This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.

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DJI Osmo Pocket 4 Release Date Confirmed for April 16, 2026

DJI has officially teased the launch of its next-generation pocket gimbal camera with the Osmo Pocket 4 set to debut on April 16, 2026 at 12:00 PM GMT. The announcement highlights the compact device’s ability to capture “the world in my pocket” & builds anticipation among content creators & videographers worldwide.

A Brief History of the Osmo Pocket Series

Since its debut, the Osmo Pocket line has become a favourite among travellers, vloggers & filmmakers seeking professional stabilisation in an ultra-portable form. The Osmo Pocket 3 introduced significant upgrades in image quality battery life & creative features which helped solidify DJI’s position in the pocket-sized camera market. With the Osmo Pocket 4, DJI appears ready to refine the formula further, focusing on even greater accessibility for capturing high-quality footage on the go.

While full specifications remain under wraps ahead of the official event, early indications from the teaser suggest continued emphasis on intuitive design & cinematic results. The device is expected to appeal to both amateur enthusiasts & professional creators who require reliable performance without bulky equipment.

Buy on Rakuten Japan

What the Launch Means for Users

The global launch marks an important milestone as DJI expands availability simultaneously across regions. Interested parties can learn more via the official teaser page at dji.com & should monitor DJI’s channels for pre-order information pricing & complete feature details once revealed.

For those who have followed the series the timing feels particularly timely coming nearly two years after the previous model. The Osmo Pocket 4 promises to deliver the signature three-axis stabilisation that has defined the range alongside potential improvements in low-light performance & creative tools.

Content creators & photography enthusiasts alike will no doubt mark the date as DJI continues to push the boundaries of what a pocket-sized camera can achieve. The Osmo Pocket 4 represents the latest evolution in portable cinematic technology & early reactions suggest strong interest across the community.

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Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership.
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This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.

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Long Awaited Triple-i Initiative Castlevania: Belmont’s Curse Trailer Disappoints

Castlevania at Its Peak: Why Japanese Hands Capture the Series’ Essence Better Than Western Stylised Experiments

The recent Triple-i Initiative trailer for Castlevania: Belmont’s Curse has left many longtime fans disappointed. Discussions across social media highlight concerns not only with the lack of a protagonist reveal or firm release date but also with the game’s art style. For some observers the visuals represent a return to the asymmetrical overly stylised character designs that emerged in Western animation during the early 2000s. This shift marked a deliberate move away from the more consistent proportions seen throughout the 1990s in favour of bold graphic exaggeration executed through modern digital pipelines such as Toon Boom.

That early-2000s aesthetic often referred to as Wacky Pomo prioritised personality-driven shapes thick outlines & fluid yet off-kilter forms over anatomical accuracy or symmetry. Shows such as Cyberchase & The Batman (2004–2008) exemplify the trend. The result felt fresh & production-efficient at the time, but struck many viewers as a departure from the tighter draftsmanship of prior decades.

This same DNA appears in the Belmont’s Curse footage. Brighter colour palettes thicker digital lines & pushed proportions on enemies & environments echo the Wacky Pomo influence filtered through contemporary 2D rigging tools. The trailer’s Paris setting retains gothic Castlevania elements yet renders them with the cartoon-forward polish that defined much of the post-1990s shift toward vector-friendly animation. Fans who preferred the series’ classic hand-drawn roots or its later high-contrast interpretations found the look overly familiar in the wrong way.

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A useful point of comparison is Castlevania: Mirror of Fate from 2013. Developed by MercurySteam for the Nintendo 3DS the game employed a 2.5D hand-painted style with cel-shaded cutscenes parallax scrolling & dramatic gothic lighting. Character designs for Trevor Simon & Alucard featured stylised proportions & expressive silhouettes yet remained relatively grounded. The asymmetry served mood & atmosphere rather than chaotic cartoon energy. While it shared some digital stylisation with the current trailer Mirror of Fate kept the exaggeration in check making it a milder bridge between traditional Castlevania visuals & modern techniques.

The broader conversation reveals a recurring pattern in the franchise. Western-led projects such as Castlevania: Lords of Shadow (2010) were initially viewed as their own distinct entity. MercurySteam’s dark action-adventure reimagining delivered a European story through a cinematic lens complete with orchestral scoring & realistic character models. Yet many enthusiasts argue that the series reaches its creative height when filtered through Japanese sensibilities. Konami’s original entries & Koji Igarashi’s Igavania titles blended gothic horror with intricate level design & fluid 2D action in ways that felt inherently suited to the material. Even when the narrative draws on European folklore the Japanese perspective adds a layer of mythic elegance & precise craftsmanship that elevates the experience.

This preference is not a rejection of Western talent but a recognition of what has consistently worked. The asymmetrical stylised approach that proliferated in early-2000s animation & later influenced games has its strengths in accessibility & visual pop. Nevertheless for a property rooted in classic side-scrolling horror & baroque architecture the Japanese lens continues to deliver the most cohesive & resonant results. As development on Castlevania: Belmont’s Curse progresses fans will watch closely to see whether the final product leans further into that digital cartoon heritage or finds a way to honour the proportions & atmosphere that defined the series at its peak. Personally, I will be placing my own hopes on Koji Igarashi’s next Bloodstained installment instead.


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This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.

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Does the DJI Osmo Nano Shoot Open Gate? Yes, It Does – Here’s How to Use It

For a company as big as DJI & a camera as prestigious as the Osmo Nano, there is surprisingly little information available when searching for answers to the question “Can the DJI Nano shoot open gate?”. The short answer is yes, & the Osmo Nano does so with impressive results through its full-sensor 4K 4:3 recording capability. If you are not familiar with open gate, it is the most versatile format that anyone can shoot in. The key advantage of shooting open gate is the versatility it offers when editing as it gives you a much wider field from which to choose when downsizing your video to meet ratio limitations enforced by social media platforms. If you are having trouble understanding this simply recognise most devices especially phone cameras force you to choose between 9:16 ratio, 16:9 ratio or 1:1 square ratio. With open gate rather than locking yourself to a dedicated frame you utilise your camera’s entire sensor. You get the entire width of 16:9 & the entire height of 9:16. This full-sensor approach opens up creative possibilities that feel liberating once experienced, transforming a single take into multiple polished deliverables ready for any platform.

DJI OSMO NANO
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What Is Open Gate Shooting on the DJI Osmo Nano?

Open gate shooting refers to capturing video using the full readout of the camera’s sensor without applying any in-camera crop. On the DJI Osmo Nano this is achieved through its 1/1.3-inch CMOS sensor which records in native 4:3 resolution at up to 4K. The result is footage that preserves maximum pixel information across both the horizontal & vertical axes. Unlike traditional locked aspect ratios that discard sensor data at the point of capture open gate defers all framing decisions to post-production. This approach mirrors professional cinema workflows where the full negative or digital sensor is exposed first & then cropped or reframed as needed. For the Osmo Nano the open gate mode effectively combines the benefits of a wide horizontal field with an extended vertical canvas allowing creators to extract multiple deliverables from a single take without quality loss. It is this flexibility that makes open gate particularly exciting for creators who value efficiency & creative control in fast-paced or unpredictable shooting environments.

Open Gate Use Cases for Content Creators

The practical applications of open gate on the DJI Osmo Nano extend across diverse shooting scenarios where flexibility is paramount. Walk-and-talk vloggers & run-and-gun filmmakers benefit from the ability to capture dynamic movement without committing to a specific orientation upfront. Action & POV filming benefit immensely because the camera’s magnetic mounting system & compact form factor encourage spontaneous angles, yet open gate ensures footage can later be reframed for any orientation. Travel vloggers & documentary makers use it to capture immersive wide scenes that can be repurposed into both landscape hero shots & portrait social clips. In automotive or product cinematography, including reviews & unboxings, a single pass records full-resolution horizontal & vertical versions simultaneously, eliminating the need for multiple setups or retakes. Even for corporate or event videography where deliverables must serve both widescreen presentations & vertical social stories, open gate streamlines workflow & reduces storage demands. The DJI Osmo Nano’s RockSteady stabilisation pairs naturally with this format ensuring that reframed extracts remain smooth & professional regardless of the final ratio chosen in editing software.

The 4:3 Ratio in Open Gate Workflow

The 4:3 ratio serves as the foundation for open gate shooting on the DJI Osmo Nano because it closely matches the sensor’s native proportions. At 4K resolution this translates to 3840 by 2880 pixels, providing a balanced canvas (wider than it is tall). When shooting in 4:3 open gate you retain the full horizontal width required for cinematic landscape shots while gaining extra vertical pixels that can be used for cropping. In post-production editors simply mask or crop the top & bottom to produce a clean 16:9 frame or retain more of the height for vertical compositions. This ratio maximises creative freedom without compromising resolution & it future-proofs footage against evolving platform requirements. For users of the Osmo Nano selecting 4:3 in the camera’s video settings unlocks the true potential of the sensor & transforms a single recording into a multi-format asset ready for any distribution channel.

The 3:4 Ratio & Its Role in Vertical Content

While 4:3 is the horizontal open gate baseline the 3:4 ratio represents its vertical counterpart & proves equally valuable for portrait-oriented deliverables. Essentially a 90-degree rotation of 4:3 (taller than it is wide), the 3:4 frame utilises the sensor’s full height while narrowing the width to create a taller composition ideal for certain social formats. On the DJI Osmo Nano open gate footage shot in 4:3 can be rotated & cropped in editing to achieve a native 3:4 output at high resolution. This is particularly useful for platforms that favour slightly less extreme vertical framing than 9:16 or for hybrid projects that mix landscape & portrait elements within the same timeline. Creators working on Instagram carousels, YouTube community posts or legacy broadcast formats appreciate 3:4 because it offers a more classical proportion than ultra-tall 9:16 yet still delivers the pixel density needed for sharp downscaling. The ability to extract 3:4 from open gate footage eliminates guesswork at capture time & ensures consistent quality across mixed-media campaigns.

Social Media Ratio Standards & Optimisation for X

Social media platforms enforce specific aspect ratios for optimal display & performance & open gate shooting on the DJI Osmo Nano provides the most efficient way to satisfy them all from one master file. Horizontal 16:9 remains the standard for YouTube long-form & traditional video ads while vertical 9:16 dominates TikTok, Instagram Reels & YouTube Shorts. Square 1:1 continues to perform well for certain Instagram & Facebook posts. The 3:4 ratio fits niche applications such as Pinterest or older mobile feeds. X, formerly Twitter has evolved its video standards to support a wide range of ratios but performs best with 16:9 for desktop viewing, 9:16 for mobile-first scrolling & 1:1 for quick engagement. X recommends uploading at 1920 by 1080 for horizontal or 1080 by 1920 for vertical to avoid compression artefacts & it automatically detects & displays the correct orientation. Because open gate on the Osmo Nano captures surplus pixels in both dimensions, creators can export platform-specific versions without re-shooting or losing detail. Notably the 3:4 extracts from open gate footage deliver videos that are taller than wide while avoiding the pronounced shrinking effect often seen with 9:16 content. In the latest X mobile feed these proportions create a more balanced & visually appealing presence that fills the screen elegantly without feeling overly constrained. This single-source workflow saves time, reduces editing overhead & ensures maximum reach across X & competing networks where vertical video now drives the majority of impressions.

How to Access & Use Open Gate Mode on the DJI Osmo Nano

Now that you have read all about open gate you are probably eager to try it yourself. The process is straightforward but if you have already updated to the latest DJI Nano firmware this unfortunately may have complicated matters slightly. What came with the latest firmware update was a ratio lock. This lock means that you no longer have to rely solely on camera orientation in order to film in 9:16 or 16:9 & can instead move the camera body as freely as you wish without having to worry about output orientation. However, if you utilise 9:16 or 16:9 locked orientation modes you will not see any open gate option. This might prompt you to think “Is my model too old to include open gate?” or “Did DJI remove this feature?” The answer is neither. You can still access open gate but what you must first do is go back to the orientation menu where you pick 16:9 or 9:16 & instead pick the very first option of “Automatic.” Only then will you be able to see the 3:4 open gate option for 1080p, 2.7K & 4K. In case it was not abundantly clear, being in automatic mode means that you are absolutely not frame locked & must position the camera body yourself if you wish to have 4:3 or 3:4 orientation. While it is a little unfortunate that it has become somewhat more difficult to find open gate, rest assured that it is there. Perhaps in a future firmware update DJI will add it to the ratio lock alongside the 9:16 & 16:9 to make it just a little bit easier for everyone to find.

To access open gate mode follow these steps:

  1. Open the orientation menu in the camera settings.
  2. Select Automatic instead of the locked 9:16 or 16:9 modes.
  3. The 3:4 open gate option will now appear for 1080p, 2.7K. & 4K.

By leveraging the DJI Osmo Nano’s open gate capability, content creators gain unprecedented control over final framing & distribution. The camera’s full-sensor approach combined with its portable design & robust stabilisation positions it as a strategic tool for anyone producing video across multiple platforms.

The content of this article pertains specifically to the DJI Osmo Nano. Some readers may wonder “Does the world-famous DJI Pocket 3 also shoot in open gate?: Unfortunately, it does not, as of the time of this writing. However, the potential exists should DJI ever opt to include it in a future firmware update. In the meantime anyone that wishes to have the 4:3 or 3:4 open gate ratio can also export any video in this format using the DJI Mimo app. However, this is a little bit of a backward concept because the point of recording in open gate is to have a wider space to zoom in on specific details such as a particular filming subject being tracked. Therefore there is little point in this feature apart from nicely filling out the space allotted to videos in posts on the X feed.

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PS5 Price Hike 2026: Sony Confirms Global Increases Effective April 2 for US, UK, Europe & Japan

As I warned everyone last year, & again in January, the tech winter caused by ChatGPT’s sam altman is making electronic devices of all sorts more expensive. We’re not simply discussing next generation consoles, but current generation consoles are affected, too. As evidenced by the fact that Sony has officially announced a worldwide PS5 price increase that will take effect on April 2, 2026. The adjustment covers the standard disc edition, Digital Edition, PS5 Pro & PlayStation Portal remote player. This marks the second notable rise in roughly a year & stems from sustained global economic pressures including higher costs for components such as RAM & memory chips.

The change applies across all major markets with updated recommended retail prices now confirmed for the United States, United Kingdom, Europe & Japan. Consumers in other territories should consult local retailers for exact details.

Get your PlayStation 5 now before prices rise on April 2nd:

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New PS5 Prices with Previous Figures Shown

United States

  • PS5 (disc): $649.99 (previously $549.99)
  • PS5 Digital Edition: $599.99 (previously $499.99)
  • PS5 Pro: $899.99 (previously $749.99)

United Kingdom

  • PS5 (disc): £569.99 (previously £479.99)
  • PS5 Digital Edition: £519.99 (previously £429.99)
  • PS5 Pro: £789.99 (previously £699.99)

Europe

  • PS5 (disc): €649.99 (previously €549.99)
  • PS5 Digital Edition: €599.99 (previously €499.99)
  • PS5 Pro: €899.99 (previously €799.99)

Japan

  • PS5 (disc): ¥97,980 (previously ¥79,980)
  • PS5 Digital Edition: ¥89,980 (previously ¥72,980)
  • PS5 Pro: ¥137,980 (previously ¥119,980)

Note that Japan’s separate cheaper language-locked Digital Edition model sold only domestically remains unaffected by this increase.

PlayStation Portal Also Affected Globally

The handheld remote player sees a corresponding rise in every region.

  • United States: $249.99 (previously $199.99)
  • United Kingdom: £219.99 (previously £179.99)
  • Europe: €249.99 (previously €199.99)
  • Japan: ¥39,980 (previously ¥34,980)

Nintendo Switch Price Hike Update

Nintendo has not set any date for a console price increase on the Switch or Switch 2 in the West or Japan. While the company has acknowledged ongoing monitoring of component costs & market conditions, its president has stated it cannot comment on hypotheticals at this stage. No hardware price change is currently scheduled, but you can still buy one now to be safe.

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The only confirmed upcoming Nintendo pricing adjustment concerns first-party Switch 2 games rather than the console itself. Starting in May 2026 with pre-orders for titles such as Yoshi & the Mysterious Book new Nintendo-published digital titles exclusive to Switch 2 will carry a lower MSRP than their physical versions. Physical game prices are not increasing. This policy applies across all regions including the West & Japan.

Shoppers planning a PS5 purchase may wish to review current stock & pricing before April 2, 2026 to secure the existing rates where still available. For the latest official confirmation always refer to Sony’s PlayStation Blog or authorised retailers in your location.

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Tokyo Indie Game Summit 2026 Best in Show (in My Opinion): Primland The Magus

Over the past weekend, I got to play many games at the Tokyo Indie Game Summit 2026, but one title in particular stood out to me as the best in show. That game was Primland the Magus. Everything from the cute character design, gameplay & screen layout made it stand above the rest, so I am really looking forward to the full release this autumn. I’ll get into the finer details below, but you don’t have to take my word for it–you can download a free demo on Steam right now!

Cute Characters

While it was far from the only chibi game at the Summit, it was immediately obvious that a great deal of care & attention had gone into making the characters striking & exceptionally appealing. As I went through all the floors & rooms of game demonstrations, I consistently thought “That might be cool,” “I’ll see if I can try that one if there’s no line,” or “Maybe I’ll come back again later” about most of games I saw, but this was the only one that stuck out to me as THE game I HAD TO play before leaving the Summit, so I stuck around for about 20-25 minutes to get a chance & I’m glad I did.

The Gameplay

There were plenty of other 2D side scrolling games at the convention, but Primland The Magus had several key advantages. It wasn’t just a beat ‘em up & it wasn’t all long distance spells, but a comfortable median of both. Some enemies/obstacles can be dealt with from a distance with magic, while others require you to get up close & personal with physical attacks. I should also mention here that the animation for the spells was beautiful, making it instantly attractive. Further abilities can be unlocked by collecting “Mementos” to chain together what appear to be fragmented memories through a menu screen. In my experience some of these mementos can be found while others can be bought by collecting gems. The Magus also has a unique digging ability to unearth gems from the ground. Many times, you are able to see these gems underneath the Magus’ feet if you keep a sharp look out, which I think is a nice courtesy considering how I used to attack literally every wall in every Castlevania to see if anything was inside because there was generally no outward indication that a wall would give unless it was crucial to the story.

The Screen Layout

It is practically a staple of 2D side-scrolling games to have a view which is pulled way out in order to allow for a greater view of the terrain. This is done at the expense of finer details. While more recent games such as Bloodstained have come to realise this & allow you to zoom in for a somewhat closer view, the character sprites still remain relatively small making it difficult to see character expressions etc. One of the points I really liked about Primland the Magus was that the view is much more zoomed in by default, allowing for a better viewing of character & enemy sprites & their design details. With a game as cute as this, that’s definitely a plus!

Memories of Spawn (SNES)

Another thing that attracted me to this game was that, to me, many aspects were heavily reminiscent of the 1995 Spawn game for Super Nintendo. It, too, was a 2D sidescrolling game with a comfortable median of both physical attacks & magical attacks, with a nice close-up view allowing greater character sprite details. Even the Primland The Magus cover art features the character in a similar pose to the iconic 1st ever Spawn comic issue. However, in conversations with the developer on X, I discovered that all of this was entirely coincidental as the Spawn game had never been released in Japan.

Preparing for the Full Release

In summary, Primland the Magus is a thoroughly charming game with a lot of potential. It immediately stands out & above its competitors. It is still a work in progress, but I really like everything I have seen so far. Part of the reason why this game appeared at the Tokyo Indie Game Summit 2026 was generate player feedback for further improvements ahead of the planned autumn 2026 release. I was happy to contribute to this & I was lucky enough to get a cool keychain as thanks.

If you, too, like what you see, again you can get the free demo on Steam now. Please note that I highly suggest that you play this game with a controller as the game controls are not well suited to standard keyboard play.

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Samsung Galaxy Unpacked February 2026: New Devices & Features

As a long-time Samsung user with a Galaxy Z Flip 6, I approached the Galaxy Unpacked event on 25 February 2026 with measured expectations. The livestream from San Francisco highlighted advancements in the Galaxy ecosystem, yet much of it appeared as incremental refinements rather than substantial progress—particularly ironic given the promotion of privacy-focused features like the new Privacy Display, which protects against shoulder surfing while Samsung remains silent on the AppCloud controversy. For the uninformed, AppCloud is a pre-installed application on Galaxy A, M & F series devices in the West Asia & North Africa region, accused of functioning as unremovable spyware developed by the israeli-founded ironSource. This bloatware, which reportedly harvests user data without explicit consent & cannot be fully removed without root access, has sparked calls for boycotts & an open letter from digital rights group SMEX urging Samsung to cease its forced installation. It would have been prudent for Samsung to address this during Unpacked with an apology for the privacy concerns & a firm commitment to eliminate such features from all future devices across every region, thereby rebuilding trust among affected users but the omission left a dissonant note. Apart from that, the emphasis on artificial intelligence & hardware felt repetitive, with layers of AI enhancements that did little to captivate. Below, I will dissect the announcements with a strong focus on distinguishing features exclusive to the Galaxy S26 series from those accessible to existing users via One UI 8.5 updates. I also examine Samsung’s pricing strategy amid industry challenges, & why none of this prompts me to upgrade from my Flip 6—while I remain hopeful for the Galaxy Z Flip 8.

Galaxy S26 Series: Proprietary Hardware & Design

The core announcements centred on the Galaxy S26, S26+ & S26 Ultra, with several features tied directly to new hardware, rendering them unavailable on older devices.

  • Galaxy S26: This model starts at $899 for 256GB storage, a shift from the S25’s 128GB base at $799, though comparable to the S25’s 256GB variant at $859—marking a modest $40 increase. Proprietary elements include a larger 6.3-inch display with reduced bezels, the Snapdragon 8 Elite Gen 5 chipset for enhanced efficiency & a bigger battery. The camera hardware sees upgrades with wider apertures for improved light capture.
  • Galaxy S26+: Priced at $1,099 for 256GB, up $100 from the S25+’s $999 equivalent. Exclusive features encompass a 6.8-inch screen, extended battery life & the same advanced chipset, optimised for sustained performance.
  • Galaxy S26 Ultra: At $1,299 for 256GB, matching the S25 Ultra’s starting price. Hardware-specific innovations include 60W wired charging, a slimmer design with superior thermal management & high-resolution camera sensors. Notably, the Privacy Display feature obscures content from side views, enhancing security in public settings by preventing shoulder surfing. This hardware-dependent tool adjusts screen angles & brightness to limit visibility, integrating with AI for contextual activation—such as in banking apps or sensitive messages. While it promotes privacy against nearby observers, it highlights an irony in Samsung’s approach, as the event overlooked broader privacy concerns elsewhere in the ecosystem.

Pre-orders commenced on 26 February 2026 (Japan Time), with availability from 11 March. Colour options span Cobalt Violet, White, Black, Sky Blue, Pink Gold & Silver Shadow, notably omitting green variants—a potential drawback for those preferring such hues. These devices incorporate data-driven ergonomics & durable finishes, but the form factor pales against my Flip 6’s foldable convenience.

Amid a widely reported RAM shortage driven by AI demand, Samsung has maintained comparable pricing, particularly for the Ultra model. This stability may stem from strategic moves, such as securing two years’ output from a Mexican silver mine via a $7 million prepayment to Silver Storm Mining in October 2025. Silver’s role in electronic components could enable cost offsets, potentially extending savings to RAM & DRAM procurement despite supply constraints.

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Nightography Enhancements: Tied to New Camera Hardware

The camera upgrades, particularly Nightography, represent a mix of hardware & software, but the core improvements are proprietary to the S26’s sensors. Building on prior iterations—absent from the Flip 6 but present on models like the Flip 7— the S26 version enhances low-light performance with up to 47% brighter wide-lens captures & 37% on telephoto, reducing noise & sharpening details. Video benefits from tailored noise reduction per sensor & Super Steady stabilisation with horizontal lock for fluid motion. These rely on the ProVisual Engine & upgraded apertures, making full implementation exclusive to the new lineup. While software elements might trickle to older devices, the hardware-driven gains position this as a highlight, potentially transformative for dim environments.

Galaxy AI & One UI 8.5: Proprietary vs Update-Accessible Features

A significant portion of the event focused on Galaxy AI’s third generation & One UI 8.5, with a clear delineation between hardware-exclusive elements & software updates available to eligible devices. Proprietary to the S26 series are optimised AI tools like advanced video b-roll generation on the Ultra, deeper Smart Call Assistant for spam detection & certain notification systems leveraging the new chipset. The Privacy Display’s AI integrations, such as automatic activation based on app context or environment, also remain hardware-bound.

In contrast, most advancements are software-based & will roll out via One UI 8.5, based on Android 16, to a wide array of current Galaxy devices. For users with eligible handsets, this means accessing key features showcased at Unpacked without purchasing the S26 series. The table below lists all features highlighted during the event, indicating availability on the S26 lineup & on prior eligible devices via updates.

FeatureAvailable on S26 Lineup?Available on Prior Eligible Devices?
Privacy DisplayYes (Ultra only)No
60W Wired ChargingYes (Ultra only)No
Slimmer Design with Superior Thermal ManagementYes (Ultra only)No
Enhanced Nightography (Hardware Improvements: Brighter Captures, Sensor-Specific Noise Reduction)YesNo
Advanced Video B-Roll GenerationYes (Ultra only)No
Deeper Smart Call Assistant for Spam DetectionYesNo
Now Nudge (Proactive Reminders)YesYes
Now Brief (Quick Summaries)YesYes
Conversational BixbyYesYes
Perplexity IntegrationYesYes
Refreshed App Designs (3D Icons, Smoother Animations)YesYes
Customisable Quick Panel (Rearrangeable Toggles & Sliders)YesYes
Enhanced Lock Screen Widgets (More Font Options)YesYes
Adaptive NotificationsYesYes
Notification SummariesYesYes
Storage Share (Cross-Device File Management)YesYes
Quick Share SuggestionsYesYes
Auracast Audio SharingYesYes
Continuous Gallery Image GenerationYesYes
Time Zone Converter in Clock AppYesYes

Eligible devices for One UI 8.5 encompass a broad range, based on Samsung’s update policy:

  • Galaxy S series: S25 (all variants), S24 (all), S23 (all), S22 (all), S21 FE.
  • Galaxy Z series: Z Fold 7, Z Fold 6, Z Flip 7, Z Flip 6, Z Fold 5, Z Flip 5, Z Fold 4, Z Flip 4.
  • Galaxy Tab series: Tab S10 (all), Tab S9 (all), Tab S8 (all).
  • Galaxy A series: A73, A56, A55, A54, A53, A36, A35, A34, A33, A26, A25, A24, A16, A15, A06.
  • Galaxy M & F series: M56, M55s, M55, M54, M34, M53, M33, M16; F56, F55, F54, F34, F16, F15, F06.
  • Other: Rugged devices like XCover series from recent generations.

Rollout begins with the S25 series post-S26 launch, extending to others in Q1-Q2 2026. For Flip 6 owners like myself, this means access to most AI & UI refinements without hardware upgrades, diminishing the S26’s appeal.

Galaxy Buds4 Series: New Audio Accessories

Samsung introduced the Galaxy Buds4 & Buds4 Pro, standalone products not reliant on software updates. Priced at $249.99 & $329.99 respectively, they feature a two-way speaker system with woofers & tweeters for balanced sound, AI-adjusted profiles, gesture controls & ultra-wideband connectivity. Ergonomics support extended wear, with seamless integration across Galaxy devices. These represent solid iterations, though lacking novelty. Personally, I don’t think anything could make me upgrade to the Galaxy Buds4. The Buds3 I got for free with my Flip 6 gave me terrible headaches, though I can’t figure out why. All I can say is, turning on active noise cancelling made the issue even worse. No other ear buds have ever done this to me. But that coupled with the ill-fitting nature causing them to always fall out led me to simply sell them on the secondary market then buy a much cheaper pair from Daiso which I am much happier with & I got to pocket the significant difference in price.

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Additional Ecosystem Notes

Brief mentions included the Galaxy Book6 laptops with Intel Core Ultra processors & AI integration, enhancing cross-device functionality. These align with Samsung’s broader ecosystem but add little urgency for upgrades.

Why the S26 Falls Short—& Anticipation for the Galaxy Z Flip 8

The Unpacked event reinforced Samsung’s focus on privacy, efficiency & intuitive tech, yet the proprietary hardware failed to compel a switch from my two-year-old Flip 6. Price stability amid the RAM shortage is commendable, possibly aided by silver supply strategies, but the lack of green colours & rehashed AI layers render the lineup lacklustre. One UI 8.5’s widespread availability further reduces the incentive.

My optimism lies with the Galaxy Z Flip 8, anticipated for July or August 2026. Rumours point to a slimmer design, Exynos 2600 or Snapdragon 8 Elite Gen 5 chipset, larger displays, triple cameras & expanded batteries in potential Ultra variants. If it incorporates enhanced Nightography & a green option, alongside fresh foldable innovations, it could warrant an upgrade for me. For now, I will observe developments closely & keep you updated.

Samsung, if you’re reading this, don’t forget to remove AppCloud from every device in every region.

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DJI Nano February 2026 Firmware Update: New Features & Enhancements

In the rapidly evolving world of portable photography & videography, DJI continues to refine its offerings through regular firmware updates. The most recent update for the DJI Nano, just released in February 2026, brings the firmware version to v01.01.27.51. Available via the DJI Mimo app for both iOS (v2.6.12) & Android (v2.6.12), this update introduces practical improvements designed to enhance creative flexibility & device reliability. For users encountering installation issues, DJI advises restarting the camera & app, ensuring Wi-Fi & Bluetooth are enabled, & reconnecting before attempting the update again. Persistent problems should prompt contact with DJI Support. This follows a prior update in November 2025 (v01.01.16.50), which added features such as Natural Wide FOV, HorizonCorrection, & improved microphone integration with the vision dock. Below, we explore the new additions in detail, highlighting how they benefit content creators & enthusiasts.

Native 9:16 Aspect Ratio Support in Video Mode

The addition of support for a 9:16 aspect ratio in video mode represents a user-focused enhancement tailored to the growing demand for vertical content in social media & short-form video platforms. This feature allows the DJI Nano to natively capture footage in a portrait orientation, which aligns perfectly with formats used on apps like TikTok, Instagram Reels, & Snapchat, eliminating the need for post-production cropping that could degrade image quality or alter the intended composition. By adjusting the sensor’s output to prioritise height over width, users can achieve fuller utilisation of the camera’s resolution—typically up to 4K in this mode—resulting in sharper, more immersive vertical videos. This is especially beneficial for creators on the go, such as vloggers or social influencers, as it streamlines the workflow from capture to upload, saving time while maintaining professional-grade results. Additionally, it opens up creative possibilities for storytelling, like emphasising tall subjects or vertical panning shots, without compromising on the device’s gimbal stabilisation or intelligent shooting modes.

Introduction of Film Tone in Photo & Video Modes

The introduction of the “Film Tone” option to image parameters in both photo & video modes brings a layer of cinematic sophistication to the DJI Nano’s capabilities, allowing users to apply pre-set colour grading effects that mimic the aesthetic of traditional film. This mode adjusts key elements such as colour balance, contrast, & saturation to produce a more dramatic & evocative look, often with warmer tones, deeper shadows, & controlled highlights that evoke the feel of classic cinema. Unlike standard colour profiles, Film Tone is designed for users who want to infuse their content with artistic flair right at the point of capture, reducing reliance on editing software for basic corrections. It can be particularly advantageous in low-light scenarios or when shooting narrative content, as it enhances dynamic range & preserves details in highlights & shadows. Creators can toggle this option via the DJI Mimo app, experimenting with it alongside other parameters like sharpness or exposure to customise the output, making the Nano a more versatile tool for aspiring filmmakers or photographers seeking a polished, ready-to-share result.

Resolution of Minor Bugs for Improved Performance

The fixing of minor bugs in this firmware update underscores DJI’s commitment to ongoing device optimisation, addressing subtle issues that could impact user experience without introducing major disruptions. These corrections typically target areas like software stability, such as resolving occasional app crashes during live previews, improving Bluetooth connectivity reliability for smoother remote control, or refining algorithm accuracy in features like subject tracking or auto-exposure. While the specifics are often kept general to protect against potential exploits, such updates collectively enhance the Nano’s performance, leading to fewer interruptions during shoots & more consistent battery efficiency. For users, this means a more dependable tool in real-world scenarios, whether filming action sequences or casual clips, & it helps prevent cumulative frustrations that might arise from unaddressed glitches over time. Overall, these bug fixes contribute to the longevity & resale value of the device by ensuring it remains responsive & up-to-date with evolving user needs.

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This firmware update positions the DJI Nano as a competitive choice in the compact camera market, catering to both amateur & professional users who value portability without sacrificing quality. By incorporating vertical video support, cinematic colour options, & essential stability improvements, DJI addresses key trends in content creation while maintaining the device’s core strengths in gimbal technology & ease of use. Users are encouraged to update promptly to access these features, & those new to the DJI ecosystem may find the Nano’s blend of innovation & reliability particularly appealing. For the latest details & troubleshooting, refer to the official DJI website or community forums.

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